Step inside the world of Viso Project. The archive is a living collection of stories, images, and films that capture the world around Viso, from creative collaborations and special projects to intimate glimpses into the spaces, rituals, and lives that surround our objects. Discover the artists, makers, and moments that continue to expand the story of Viso, revealing how objects become part of the environments, experiences, and narratives that we carry with us.
Step inside the world of Viso Project. The archive is a living collection of stories, images, and films that capture the world around Viso, from creative collaborations and special projects to intimate glimpses into the spaces, rituals, and lives that surround our objects. Discover the artists, makers, and moments that continue to expand the story of Viso, revealing how objects become part of the environments, experiences, and narratives that we carry with us.
As part of its ongoing exploration of objects as spatial and experiential anchors, Viso Project transformed Love House in New York’s Lower East Side into a sensory landscape of immersive installations exploring color, scale, and composition.
Through a curated arrangement of textiles, ceramics, collectible design, and limited-edition collaborations, the ephemeral store brought together a community of designers, artists, and creatives around a shared appreciation for materiality and craftsmanship. The project reflected Viso’s belief in objects that transcend function, becoming part of the spaces we inhabit and the stories we create alongside them. A temporary glimpse into Viso’s evolving universe, the installation invited visitors to experience design not simply as an object, but as a way of living.
Inside Void, a Mexico City space defined by its minimalist architectural framework, Viso Collective 3.0 finds a temporary home.The installation brings together ceramic works, sculptural objects, and textiles from Viso's collection alongside creations by Mexican artists and studios including Natalia Ramos, Esteban Tamayo, Lørdag & Søndag, Disciplina Studio, Chuch Studio, and Balmaceda Studio. United by a shared sensitivity to material, each piece occupies the space as part of a larger conversation between tradition and experimentation, object and environment, maker and material.
Ceramic vessels by Chuch Studio, exploring sculptural form and textured surfaces through the handmade process.
In this chapter, we visit the studio of sculptor Natalia Ramos in Colonia San Miguel, where personal history, material experimentation, and a deep connection to Mexico converge through clay. Together with her mother, she developed Maremoto – a body of work exploring locally sourced clays, natural ash glazes, and materials gathered from landscapes across Mexico. Ramos also reflects on Repisero, the ceramic shelving system she created for Viso, which invites us to consider how collected fragments can come together as harmonic expressions of place, materiality and functionality.
In the chapter of Viso Collective 3.0, we visit Lørdag & Søndag, a Mexico City-based design studio whose practice draws from historical references to reinterpret contemporary craft. Inspired by visits to the National Museum of Anthropology and Mexico's rich material heritage, the studio explores the cultural memory embedded in materials and traditional craft, reimagining long-held techniques through a modern lens.Working with materials including wood, volcanic stone, marble, and bronze, Lørdag & Søndag creates objects that honor artisanal knowledge while exploring new expressions.
Meet the artists behind Viso Collective 3.0 in Mexico City. The first chapter of Viso Collective 3.0 takes us inside Disciplina Estudio in Colonia Doctores, where Mexico City-based ceramic artist Tomás Díaz reflects on imperfection as an integral part of the making process. Working with molds, he embraces variation, allowing texture, his signature cobalt blue glaze, and unexpected outcomes to transform a vessel into something entirely its own.
For its Madrid ephemeral store, Viso Project reimagined the storefront as a spatial composition where materials, objects, and structure converge.
The custom installation created a framework for exploring the relationship between collectible design and its surroundings, bringing together textiles, ceramics, and sculptural works in a carefully considered arrangement.Throughout the space, one-of-a-kind industrial sculptures by artist Lucas Muñoz introduced curved metal forms and refined industrial lines, serving as both sculptural elements and platforms for display. Together, the installation and objects presented a way of imagining the dynamics between structure and softness, design and function, inviting visitors to experience objects as part of a larger spatial narrative.
For the second edition of Viso Collective, Viso Project brought together a curated selection of designers, artists, and curators within a 30,000-square-foot industrial space.
In Tribeca, works by Giancarlo Valle, Studio Mellone, and Michael Bargo brought sculptural furniture, textiles, and objects in dialogue with an emphasis on spatial composition, tonal balance, and materiality. The installations were accompanied by special events, openings, and a retail pop-up exhibiting select works.
International design gallery Galerie Philia opened its Chelsea, New York space to Viso Project, providing a sculptural setting to photograph the collection. Artisanal textiles and sculptural lighting came together in a study of color, texture, and form, with vibrant mohair throws adding warmth and material harmony throughout the space.
Nestled within the landscape of upstate New York, Strever Farm is a home, farm, and evolving social project created by architect, curator, and educator Laura González Fierro.
In this Viso Project episode of Private View, Laura reflects on the time required to cultivate a place, the exquisite ability of light to shape and carve space, and the ways in which nature informs design and architecture.
In the image beside, we see the blanket featured in Laura’s home, part of a curated collection by Giancarlo Valle. Integrated naturally into the space, the piece reflects a shared sensibility for texture, warmth, and timeless design, where craftsmanship and everyday living meet.
Continuing Viso Project’s ongoing collaboration with New York-based designer Giancarlo Valle, this series captures the collection within Casa Valle, alongside Valle’s furniture and spatial design. This capsule collection features three hand-woven mohair blankets made in Spain, combining unexpected stripe compositions, rich tonal contrasts, and tactile finishes that celebrate the expressive possibilities of textile design.
A journey into the historic Sargadelos factory in Northern Spain, where Viso Project’s handmade porcelain takes shape through generations of craft and tradition. The film offers an intimate look at the artisans and processes behind each piece, revealing the human hand at the heart of the collection.
A selection of Viso Project pieces set within Casa Nereta in Cadaqués, Spain. Brightly toned mohair blankets and pillows, a geometric tapestry, refined porcelain, and a beach umbrella introduce color, texture, and a Mediterranean sensibility to the space.
Images from Viso Project’s first publication, Earth, Wind and Fire, photographed by Daniel Riera on the volcanic island of Lanzarote.
Viso pieces are situated within the island’s dramatic landscape alongside the architectural and artistic legacy of César Manrique, whose whitewashed pools, monumental sculptures, and integration of architecture with nature have come to define Lanzarote’s visual identity
